tayaal.blogg.se - Application like mainstage for mac

#Application like mainstage for mac full#
#Application like mainstage for mac pro#
#Application like mainstage for mac software#

I would recommend a mid to upper range processor and at least 8Gb RAM. But on a theatre rig that is doing nothing else you really don’t want OSX to be doing this, so it’s essential you have enough RAM for the things you’re doing, or you’ll be losing CPU cycles to compressing / uncompressing data rather than processing it. In general this is fine, and you don’t even know it’s happening. So it compresses it, and if the application comes back and needs it again it will uncompress it. This means that OSX thinks I’ve not used it for a while, but the application that created it is still running. Here we can see that 2.84Gb of RAM is “compressed”. Typical view of memory pressure from OSX’ Activity Monitor tool When your computer runs low on RAM the Operating System (OSX in this case) starts to do some actually pretty clever stuff to free up memory. The number one reason for apparently poor CPU performance is actually too little RAM. One other important point here - as well as generating audio output from this maths it is the CPU’s job to move data around to work on it. Whereas a really good convolution reverb will definitely give your CPU a workout. For instance, Modartt’s Pianoteq is modelled, not sampled, and you’d think it was quite CPU heavy but for some reason it’s not. The less maths and less moving around the better, of course, and it’s not always obvious what counts as “all the maths”. The CPU does maths and moves things around in RAM - so you need enough RAM to hold all that, and enough CPU to do all the maths.

#Application like mainstage for mac full#

MainStage loads samples into memory for a fast response time, so a full theatre concert file can run at 4–8Gb RAM. If you are careful you can get away with a fairly modest CPU, such as the i5 in the older Mac Mini, but you do need to make sure you have enough RAM to hold samples. Depending on the virtual instruments you are using the amount of CPU grunt you need will change, so some research into the best plugins for live use is a good idea. Unless you’re controlling external synth hardware (which you can in MainStage) you will need some CPU grunt. The first thing to consider is the basics of how computers work.

notes cutting off before the tail has ended.

breaking up of sound, or even missing sounds on some keys.

Other problems that can occur that are harder to diagnose include: In short - you’ll know! The first indicator will be sluggish performance from the keyboard, and sometimes everything can be fine until you add just one more plugin and BAM! 1/4 second delay on the keyboard. While church organists are quite happy with a huge delay between hitting a key and hearing the sound your average pit musician is not, and certainly a more responsive keyboard is important when playing with an ensemble.

#Application like mainstage for mac pro#

The main fundamental difference between MainStage and a DAW like Logic Pro is it’s intended use in live performance. This article talks about a number of things you could (and should) do to ensure your live performance happens reliably, and that your live rig remains performant and fit for purpose.

For an introduction to this please see my other blog.

#Application like mainstage for mac software#

Apple MainStage - Patching for PerformanceĪpple’s MainStage product provides an elegant and sophisticated way of mapping external MIDI controllers to software synths, virtual instruments and so on.